Intermission Magazine
Speaking in Draft: Zahra Ebrahim
Think of a lot of our major cultural institutions: theatres, galleries, museums. A lot of them are designed in this way where it’s not clear who is welcome, because they are so pristine.
iPhoto caption: Graphic courtesy of the CTCA
Announcing the winners of the 2023 Nathan Cohen Awards
The Canadian Theatre Critics Association has announced the winners of the 2023 Nathan Cohen Awards for Excellence in Critical Writing, including five writers from Intermission.
2023 in review at Intermission Magazine
It’s been one heck of a year at Intermission. After founding and leading the publication for seven years, including steering it through the pandemic, Philip Riccio decided it was time...
iPhoto caption: From top left: The Seagull (Soulpepper), Hypothetical Baby (The Howland Company), As You Like It, a radical retelling (Crow's/Mirvish), Letters from Max (Necessary Angel), Maanomaa, My Brother (Canadian Stage/Blue Bird), Monster (Factory), Maggie (Theatre Aquarius), Casey and Diana (Stratford Festival), The Master Plan (Crow's). All photos except Casey and Diana by Dahlia Katz; Casey and Diana photo by Cylla von Tiedemann.
Our favourite theatre productions of 2023, in Toronto and beyond
These shows have stood the test of at least a few weeks, if not several months. Their pleasures are not transitory, but mature and long-lasting. We think of them often.