Intermission Magazine
iPhoto caption: Photo by Jae Yang.
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
iPhoto caption: Karen Hines as Pochsy. Photos by Gary Mulcahey.
REVIEW: VideoCabaret’s Pochsy IV is bizarre, vicious, and hilarious
I can confidently say that you don’t have to have a 30-year-plus background with Karen Hines’ clown character Pochsy to quickly understand her mix of oddball conviction, sly wordplay, and bland narcissism.
Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab
Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.