maryse fernandes
iPhoto caption: The Anger in Ernest and Ernestine production still by Curtis Perry.
REVIEW: The Anger in Ernest and Ernestine simmers just below the surface
While the show certainly induces laughter, some of its strong design elements paint the actors into a corner, at times making the comedy feel a touch manufactured.
REVIEW: The Supine Cobbler is a hilarious, deeply intimate trip to the abortion clinic at GCTC
The play is strange, which is a loving compliment to Connell’s playwriting, but also entirely familiar; the space used feels endless, a testament to how malleable the play is and the strength of Pearlman’s direction.
The Supine Cobbler is an abortion play that ‘negotiates integrity in a lawless world’ at GCTC
“This play is really interesting, because whatever you think it is, it's not going to be that," says actor Maryse Fernandes.
iPhoto caption: Photo by Justin Van Leeuwen.
REVIEW: Hamlet at A Company of Fools (Ottawa)
The Fools’ Hamlet is queer just as much as it is comedic; not by nature, but by clever choice.