Theatre Centre
iPhoto caption: Production still courtesy of The Bee's Knees.
REVIEW: The Bee’s Knees falls short of its timely premise
The Bee’s Knees might evolve into a stronger project down the line, but at present, the play and production feel swept away by the spangled allure of the 1920s setting.
iPhoto caption: Dead Broke production still by Calvin Petersen.
REVIEW: Comedy-horror hybrid Dead Broke successfully spooks
While the non-horror aspects of the show lean towards the more amateur, the scares are incredibly successful. This show pulls off the theatrical horror with seeming ease: That’s reason enough to check it out for yourself.
iPhoto caption: Photo by Jeremy Mimnagh.
REVIEW: On the Other Side of the Sea toys with human desires and fears
The absurdist, magical play follows the unexpected relationship between an idealistic fisherman and a stubborn businesswoman.
iPhoto caption: Photo of Ian Kamau by Bryan Brock
REVIEW: Loss at Luminato Festival/Theatre Centre
In truth, watching Loss feels less like seeing a “show” and more like experiencing a poem performed.