“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”
The wide-reaching scale of Genevieve Adam’s vision is apparent within minutes of the lights going down, even in Tyler J. Seguin’s scrappy, imperfect staging.