REVIEW: No One’s Special at the Hot Dog Cart is a heartfelt slice of autobiography
As a memoir, Charlie Petch's play has significant power, and the writing — laced with occasional jaunts into poetry — often resonates.
REVIEW: Just like Luke Reece’s life story, As I Must Live It is open-ended
In his 90-minute spoken-word solo show, Recce reaches who he needs to reach, offering a piece full of complexity and nostalgia.
Toronto premiere of Migraaaants set to open in January
An immersive play about human migration is coming to Toronto this month.
REVIEW: The Rage of Narcissus at Expandido Theatre Group/Theatre Passe Muraille
Beauclair and Blanco don’t seem to worry whether theatre is an artform worth skipping Netflix for. They know it is. And that willingness to take up space is both slightly wearing and profoundly beautiful.